Wednesday, January 28, 2009

Get Known before the Book Deal by Christina Katz

Christina Katz is the well-known author of Writer Mama, How to Raise a Writing Career Alongside Your Kids, a book that has been the inspiration for many writers. It is primarily for those new to the craft and attempting to publish in magazines. The book is broken down into manageable chapters such as Tackle the Clips-Catch 22 or Draft Your Query. Each chapter includes tips, examples, and exercises to get you on your way to publishing an article. She does a really nice job of breaking down and explaining the different types of articles, including writing tips, list articles, fillers, and how-to articles along with personal essays and feature-type articles that require a query.

Katz’s latest book is Get Known Before the Book Deal and she graciously agreed to share some questions and answers about her latest book here.

What is a platform, and why is it so important for unpublished writers to have one?

A platform is a promise, which says you will not only create something to sell (a book), but also promote it to the specific readers who will want to purchase it. Your platform communicates your expertise to others and it works all the time so you don’t have to. Your platform includes your Web presence, any public speaking you do, the classes you teach, the media contacts you’ve established, the articles you’ve published, and any other means you currently have for making your name and your future books known to a viable readership. A platform isn’t what you once did. It’s what you currently do. If others already recognize your expertise on a given topic or for a specific audience or both, then that is your platform. A platform-strong writer is a writer with influence.

Why is it so important to publishers that writers have a platform?

One writer can have a great book idea at the perfect time and be the absolute best person to write that book and still not land the deal if he or she doesn’t have the platform that is going to fulfill the promise to sell the book. Agents and editors have known this for years and look for platform-strong writers and get them book deals. If you want to land the book deal, today, then you need to become a platform-strong writer. You need to stand out in the crowd by the time you are ready to pitch your book.

Why did you write Get Known Before the Book Deal? What was the intention behind the book?

Most of the other self-promotion books for writers pick up with the book deal. No other book dials self-promotion all the way back to how to get started. My intention for Get Known was that it would be the book every writer would want to read before attending a writer’s conference. It should increase any writer’s chances of writing a saleable proposal and landing a book deal whether they pitch the book in-person or by query.

As I was writing the book, I saw how this type of information was often being offered as “insider secrets” at outrageous prices. No one should have to pay thousands of dollars for the information they can find in my book for the price of a paperback! Seriously. You can ask your library to order it and read it for free. Get Known outlines the complete platform basics step-by-step.

Can you give three specific tips to help writers launch their platform?

Sure. Here’s my top three…

1. Clarify the expertise you have to offer. If you don’t know what your expertise is, then mulling it over could take some time. And that’s okay. Consult experts you respect. Do some self-reflection. Get out and connect with others like you through associations or conferences. Write some articles on things you know how to do. Don’t be afraid to take time for platform development before you start spending a lot of time online…especially if you already are online but are not getting any closer to accomplishing your professional writing goals. When it comes to clarifying your expertise, taking a step back and looking within is a good strategy.

2. Carve out a distinct niche among others who are offering similar expertise. How are you different? Inquiring minds want to know. You’ll have to communicate who you are and what you do quickly. Attention spans are getting shorter, so writing down what you do concisely is critical. Platform isn’t the credentials or your resume; it’s what you currently do. It’s current, constantly evolving, and updated on an ongoing basis. A blog is a good example of a place where a writer can authentically share what she is learning to assist others. Any niche should always be a win-win proposition like this. But again, give your topic some forethought. Realize that a hundred people might already be blogging on the same topic.

3. Identify and respond to your audience. If you are vague about your audience, the whole writing process takes longer and typically requires more rewriting. This applies to books, blogs and everything else. But when you identify your specific audience and begin speaking to them directly, the conversation can spark all kinds of wonderful ideas, connections and opportunities. Small concrete steps build over time and create career momentum.

When you're done platform building, how do you find time to write?

My career goes in cycles. I have periods that focus on writing followed by periods that focus on self-promotion. I’m in a promo cycle right now and it’s fun! I’m thoroughly enjoying myself. And I’m still writing plenty. I have noticed that these supposed “non-writing times” often yield the next book idea, which has been the case again this time. I can’t wait to pitch it.

If a writer starts today and allows platform development to be an integrated aspect of her writing career, I’m sure she will find that the two efforts—writing and self-promotion—feed each other and help her career to grow naturally and authentically. And what writer wouldn’t want that?

You can learn more about Christina Katz and her offerings at http://www.christinakatz.com/. And, I have a copy of Writer Mama to give away. Just comment and let me know how you would benefit from the book.

Tuesday, January 20, 2009

The Absolutely True Diary of a Part-Time Indian by Sherman Alexie

I am against banning books; just to get my bias out in the open. And, I was surprised recently to learn of a local high school that had banned Sherman Alexie’s first young adult novel. Sherman Alexie is an amazing and inventive writer. I am always on the lookout for his next book. If you haven’t read any of his books for adults, try Flight or Indian Killer. These are not happy, feel-good books, but they will make you think.

I read The Absolutely True Diary of a Part-Time Indian to find out what was so offensive about it. In the story a teenage boy realizes that his life is not going the way he wants and he is not being educated well at his school on the reservation. He decides to attend a high school in a nearby town where he is the only Native American in the student body. Major themes in the book include death, poverty, racism, and alcoholism. Secondary themes include leaving a best friend, family relationships, parental abuse, bullying, dating outside your race, and revenge among others. What an amazing book for high school students to talk about! It certainly beats the anthologies my 9th grade class had to get through.

There are a few pages of what can euphemistically be called “locker room” talk. Copying these few pages and bringing them to the school board really misses the whole point of the book. These brief detours are not central to the story and I suppose the author could have easily left them out, but then how realistic would that be in a teenage boy’s life?

My issues with the book are related to the plot in that I found Arnold Spirit’s acceptance at the all white school pretty amazing, his basketball debut as a freshman unbelievable given all his previous health issues, and the end of the book piles on too many tragedies. Still, those issues don't detract too much from the overall story. It is definitely at an appropriate level for teens and contains much less sex and violence than many young adult novels - such as the Twilight series. I did think the cartoons throughout by Ellen Forney really added to the book.

An excerpt from the book after Arnold’s team beats his previous high school and former best friend, Rowdy.

“I realized that my team, the Reardan Indians, was Goliath.
I mean, jeez, all of the seniors on our team were going to college. All of the guys on our team had their own cars. All of the guys on our team had iPods and cell phones and PSPs and three pairs of blue jeans and ten shirts and mothers and father who went to church and had good jobs.
Okay, so maybe my white teammates had problems, serious problems, but none of their problems was life threatening.
But I looked over at the Wellpinit Redskins, at Rowdy.
I knew that two or three of those Indians might not have eaten breakfast that morning.
No food in the house.
I knew that seven or eight of those Indians lived with drunken mothers and fathers.
I knew that one of those Indians had a father who dealt crack and meth.
I knew two of those Indians had fathers in prison.
I knew that none of them were going to college. Not one of them.
And I knew that Rowdy’s father was probably going to beat the crap out of him for losing this game.”

Here is the most recent news about this book being banned. Parents of high schools students, I'm interested in learning what you think: Would you want this book taught in your child's classroom?

Monday, January 12, 2009

Stubborn Twig by Lauren Kessler

This book takes a factual look at multiple generations of the Yasui Family. Masuo Yasui arrived from Japan via Seattle in 1904 to work on the railroad, meeting up with other members of his family. He lived in Portland for a time where he learned English and converted to being a Methodist. He settled in Hood River in 1908. His wife, Shidzuyo, was a well-educated Japanese woman who knew Masuo and his family before he left home at 16. She came to the United States as Masuo’s wife in 1912. Masuo and Shidzuyo are known as Issei or the first generation of Japanese to settle in the United States.

The story of Masuo and Shidzuyo begins like every immigrant’s dream. Masuo opens a store in Hood River that becomes quite successful. They start a family. They begin to buy land and become very involved in the fruit business. However, they were not allowed to become citizens because of a law, more than 100 years old, “that declared nonwhites ineligible for citizenship.” And, then in 1924, Oregon passes the Alien Land Law making it illegal for non-citizens to own land. It is possible to get around this law by putting the land in the names of their children, known as Nisei or Second Generation, who are citizens of the United States.

“By 1941 Masuo owned, co-owned or had interest in close to one thousand acres of orchard land, had a financial stake in one out of every ten boxes of apples and pears shipped out of Hood River and was the area’s biggest grower of several row crops. He had operated a successful store in the heart of downtown for a generation. He had a nice house on a quiet street in a middle-class neighborhood. One son was married and taking over some of the farm operations; another had a law degree. Three children were in college.”

Pearl Harbor changes everything. Read this book to find out what happens to one family of Japanese Americans, citizens and non-citizens, during World War II. The repercussions to the first, second and further generations of Japanese Americans are serious. The culpability of the state of Oregon and the town of Hood River in this loss of land and relocation are astounding. What would Hood River or Oregon look like today if this hadn’t happened? What would you have done if you lived at that time?

“People who spoke up for the Japanese were shunned. When the mother of one of Yuka’s hakujin friends (Masuo’s daughter’s friend) defended the Japanese to the women in her literary club, she was met with silence and stony stares. Her friends rejected her so completely that she took to her sickbed and later left town for several months to stay with her sister.”

Stubborn Twig is part of Deschutes County Public Libraries 2009 A Novel Idea. Also, as a celebration of Oregon’s 150th year of statehood, the book is part of Oregon Reads sponsored by the Oregon Library Association. I am interested to find out what events related to this book will be happening in Bend.

Monday, January 5, 2009

The Host by Stephenie Meyer

Stephenie Meyer is widely known for her young adult Twilight series. I enjoyed her 4-book saga about vampires, werewolves, and teenage love. I appreciated that it was set on the rainy Olympic peninsula in Washington State. All that rain has to be good for something, even if it just allows vampires to be out during the day. I look forward to eventually seeing the movie Twilight, if our library gets it in.

The Host is technically classified as an adult novel. After reading it I really wonder what makes it an adult as opposed to a young adult book. The Host definitely has less sex and violence than the Twilight series. I wonder if it is a marketing decision, but then plenty of adults read the Twilight books. Is it because the book is science fiction rather than fantasy? Are vampires and werewolves more acceptable reading for teens than aliens?

Regardless of how it is classified, The Host is an interesting read, and I’m not usually too interested in stories about aliens. In the book a species from another planet has taken over most of the humans on earth. This species cannot live outside of a host body and is termed a soul. The soul is inserted into the human and controls the human body. Not all humans can be completely assimilated, which leads, in some cases, to the soul and the human cohabitating the same body. However, the soul is in complete control of all physical actions. Of course, this is a love story as is the Twilight series. Here the problem is that the soul may be in love with one person and the human with another. And, obviously the remaining humans are less than thrilled with the souls’ takeover.